Fabiana Palladino w/ Yves Jarvis and Zak Khan

Sat, May 03

6PM DOORS 8PM SHOW Full food and menu available for the show. $22 ADVANCE (+taxes/fees) $29 AT THE DOOR (+taxes/fees) Fabiana Palladino released her self-titled debut album via Paul Institute / XL Recordings. Over 5 years in the making, Fabiana Palladino sees the UK vocalist, songwriter, multi-instrumentalist, and producer, transcend expectations with a 10-track full-length of shapeshifting sonics that draws inspiration from the big R&B, Soul, Pop and Disco studio productions of the 80s and 90s and filters them through a modern lens. Made in the wake of the end of a long relationship, it’s an intimate record that sees Fabiana Palladino confront complex questions about love, loneliness and normativity in relationships. Written and self-produced by Palladino, the album features performances from renowned musicians and close friends including Paul Institute co-founder Jai Paul, her father and legendary session bassist Pino Palladino, brother and Yussef Dayes bassist Rocco Palladino, renowned drummer Steve Ferrone and strings from Rob Moose. Fabiana made her U.S. headline debut at SXSW, having previously joined Jai Paul on his debut North American’s performances in 2023, performing at the British Music Embassy and Gorilla vs Bear showcase. This Summer, Fabiana Palladino sold out her debut UK headline tour including Village Underground (720 cap), and is hitting festivals across the Europe. Yves Jarvis: Make ready and say “ah” to All Cylinders—the golden, textured new album by one of Montreal’s most original musicians. Yves Jarvis, aka Jean-Sébastien Yves Audet, is no longer simply a recording artist: now, he says, he’s a songwriter. These 16 tracks of brazen songcraft and pure musicianship are things he played himself, without a single additional contributor (“Not even one!”), and see the 3X-Polaris-nominated artist turn with pleasure to the stuff of verses, choruses, hooks and hits. “I basically only listened to Frank Sinatra for a year,” Jarvis says. He wanted Sinatra’s “clarity”—"the way the songs exist without him, as real things.” Whereas the 28-year-old previously approached music as something sculptural, “this time I just made a ton of songs,” working with an old laptop and bare-bones software, “no pretense.” “Instead of making a world, I thought: ‘I’m a band. The drums are there to keep the beat.’” As always, Yves Jarvis is distinguished by his sound—a warm, vivid thing that feels at once like a handknit piece of fabric and a sheet of precious metal. He is dedicated to a music that condenses folk, R&B, country, blues, Americana—with a touch that’s contemporary, even futuristic, and smashes together a stunning array of influences, from Serge Gainsbourg and Judee Sill to Ray Charles, Brian Eno and Throbbing Gristle. Tunes like “Silver KG” and the title track are iridescent road songs; at other moments Jarvis meditates on truth, fiction and the utterly cosmic. Throughout, All Cylinders seems to shimmer in a middle space, part-real and part-celestial. The world’s full of love; it’s also full of mystery. “Thank God I’m me,” Yves Jarvis admits. “It would suck to be anybody else.”